Italian Painter, ca.1540-1596 Italian painter and draughtsman. He was trained in the studio of Vasari, whom he assisted in the decoration of the Palazzo Vecchio, Florence, as early as 1557. He accompanied Vasari to Pisa in 1561, from when dates his earliest known drawing, Aesculapius (London, BM). Between 1563 and 1565 he was again in Florence and is documented working with Vasari, Joannes Stradanus and Giovan Battista Naldini on the ceiling of the Sala Grande (Salone dei Cinquecento) in the Palazzo Vecchio; a drawing of an Allegory of Pistoia (Florence, Uffizi) is related to the ceiling allegories of Tuscan cities. In 1564 Zucchi entered the Accademia del Disegno and contributed to the decorations erected for the funeral of Michelangelo. He travelled to Rome with Vasari and was his chief assistant on decorations in the Vatican in 1567 and 1572,   Related Paintings of ZUCCHI Jacopo :. | The Rest of Diana | Portrait of an unknown Lady | Perseus befreit Andromeda | Quintet | Saint Augustine in His Study |
Related Artists:
marie kroyer
(efter 1912 Alfven), född Triepcke 11 juni 1867 i Köpenhamn, död 25 maj 1940 i Stockholm, var en dansk konstnär, bosatt i Sverige från cirka 1905. Marie Krøyer var 1889-1905 gift med konstnären Peder Severin Krøyer och hamnade i skuggan av hans konstnärskap. Själv kom hon att uppmärksammas som konstnär långt efter sin död. Hon levde ihop med den svenske tonsättaren Hugo Alfv??n från 1905 då de fick dottern Margita tillsammans; de gifte sig 1912 och skildes 1936 efter en lång rättsprocess. Paret var bosatta i Uppsala och Leksand. Marie hade också dottern Vibeke med Krøyer.
BELLINI, Giovanni
Italian High Renaissance Painter, ca.1430-1516 Giovanni Bellini (c. 1430 ?C 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. His father was Jacopo Bellini, his brother was Gentile Bellini, and his brother-in-law was Andrea Mantegna. He is considered to have revolutionized Venetian painting, moving it towards a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian.
Francesco di Stefano called Pesellino
Florence ca 1422-1457